Reimaging history_British designer Thomas Heatherwick unveils his design proposal for Silo in the V&A Waterfront, Cape Town – a project that started nine years ago.
REVOLUTION TOWER « WORLD SOCIAL CENTER (WSC) » TUNIS, TUNISIA BY PHILIPPE BARRIERE COLLECTIVE
Fine art of Steidl book + Last ImpressionsPhotography has been exhibited on walls and in books since its invention. The book of photography, an enticing object because of its graphics and images, can be acquired by anyone, taken anywhere and read at any time. It refers us to the personal experience of the object which we open, leaf through and read. In the era of digital photography, books remain a source of important information about the history of the medium and its developments, about the works of great photographers and those of passionate creators who are committed to their publications. Whether it has been made by hand or by using the latest technologies, a book is the result of decisions such as the choice of visual and textual content, cover, format, layout, paper, binding, font used, etc., which are unchanging over time. These different elements must all connect coherently, and together they contribute to the attractiveness of the object.
Marie-Claire Mermoud, January 4, 2010
Marie-Claire Mermoud, January 4, 2010
Gerhard Steidl/Koto Bolofo, graphiste de "Steidlville"© 2009, Koto Bolofo
In the early 21st century, Gerhard Steidl is without a doubt the most prolific printer and editor of photography books: one book per day leaves “Steidlville”, in Göttingen, his home-town in Germany. His fief – which includes his editing house, printing works, and studio for graphic artists and reproduction specialists – also has the reputation of providing housing for the most prestigious artists of our era, all of whom are attracted by the quality of the books produced there. Steidl, whom Le Monde has nicknamed “the haute-couture editor”, publishes books which are works of art. Uniting the crafts of editing and printing, he worries more about quality than about the quantity produced, and ensures that no book leaves his editing house before he has personally controlled its paper, cover and printing quality.
“Impressions en continu” celebrates every aspect of the photography book, from the object of each artist’s dream to the final work delivered by the printer. The Musée de l’Elysée has invited Raymond Depardon, Jim Dine, Robert Frank, Roni Horn, Karl Lagerfeld, Ed Ruscha, Jürgen Teller, Deborah Turbeville and Jeff Wall, among numerous other confirmed photographers, to show us the creation of a new book “behind the scenes”. For the first time in public, they are exhibiting their sketches and layouts, their choices of covers, typography and paper, as well as their memories of “Steidlville”. All agree that making a book with Gerhard Steidl is the equivalent of fulfilling an idea, without the least concession. The exhibit which presents this creative synergy is also an invitation to discover leaf through, smell and touch the printed page.
Gerhard Steidl/Karl Lagerfeld © 2008, Steidl
According to his entourage, Gerhard Steidl is so interested in his profession as a printer that he even discusses the relationship between paper and ink! At the age of 17, he had already installed a press in his garage. Born in Göttingen in 1950, Steidl was fortunate to frequent Joseph Beuys at the time when the artist was creating multiples. Their collaboration, between 1972 and 1986, encouraged him to consider printing as a form of art. Marked by the works of the philosopher Walter Benjamin, who predicted that works of art would be designed to be reproduced in the 1930s, he then created silk-screen prints, lithographs and offset prints. In 1972, Steidl launched himself into the editing world with Befragung der Documenta, which was created in the back yard of the Göttingen house with the artist Klaus Staeck, his friend and mentor. Committed to left-wing politics, he used his printing works to publish political essays. Ten years later, he included literary works in his catalogue. In 1986, he suggested to the author Günter Grass that he publish the drawings which accompanied his manuscripts.
This formula was fruitful: the collaboration between the editor and the author resulted in acquisition of the global rights of the Nobel Literature Prize laureate. Grass still visits Steidl, who has distributed his books in over fifty languages, regularly.
- Daphne Odjig, Pow Wow at Wikwemikong
- Seydou Keita, 50 Works
- Basquiat, SAMO the shooting star.
- Helmut Newton, The SUMO. Must be readed.
- Josef Hoflehner, Mystery and Sensuality of Black & White
- Warwick Saint, A Boy + The Girls...
- Nick Brandt, Living on Earth...
- Gyula Halász, Brassaï in the night
- Herb Ritts, A self-taught photographer
- Oleg Dou, Subliminal photographs
- The Heroic Africa, Philippe Bordas, The Essence Photographic
- Christian Coigny, IN PROCESS...
- Jacek Jarnuszkiewicz, Man is a thinking reed No3
- Ara Güler, Lost Istanbul: 1950s and 60s
- Wangechi MUTU, The Anthropological Art
- Michel Comte, Empathic & Emblematic
- Barkley L. Hendricks, The Birth of the cool
- Ezra Stoller, An quiet Architect-Photographer
- The Dashanzi, Displays contemporary art in the Bauhaus style
- Brian Finke, The Flight Attendants
- Pierre Soulages, Painter of black and light
- Gérard Uféras, States of Grace
- Alexis Aliocha Peskine, Twenty things you should know about Alexis Peskine...
- YAYOI KUSAMA, Fireflies on the Water
- Frida Kahlo & Diego Rivera..., Passion, Politics and Painting
- Louise Bourgeois in Canada..., Sculptor of timeless sculpture
- Howard Schatz, Liquid Light Series
- Gabor Szilasi, The Eloquence of the Everyday
- Arthur Elgort, Le Dandy de la photographie
- Norbert Wagenbrett, Die Neue Sachlichkeit
- Anish Kapoor, The Metaphysical thinker...
- Los Angeles (1865-2008), This Side of Paradise
- Brendan Lee Satish Tang, Remix Generation
- Göksin Sipahioglu, Sir Sipa, photographer
- Controversies, A legal and ethical history of photography
- Champ de Vision, Damián Ortega Part 2
- Manuel Vason, The man beyond The Encouters
- Esther Shalev-Gerz, Regarding Your Image Regarding Me
- Laurent Grasso, THE HORN PERSPECTIVE
- Valérie Belin, Creative obsession of the image
- Frida Kahlo, Mexican Estridentism and Realism
- Thomas Nozkowski, The Revolutionary painting
- Mario García Torres, Red + Black + Sound...
- Abraham-Louis Breguet, An Apogee of European Watchmaking
- MILES in MTL..., We Want Milles: Jazz Face to Face with its legend
- Robert Rauschenberg, Gluts
- Le Mouvement, From Cinema to Kinetics
- FRIDA KAHLO, Y SU MUNDO
- UUTURAUTIIT, Cape Dorset celebrates 50 years of printmaking
- THE NUDE, In Modern Canadian Art, 1920-1950
- Sirine Fattouh, Lost - Won + The Remake
- Languages of Futurism, The artistic expressions of Futurism
- Frank Lloyd Wright, From Within Outward
- Denise Colomb, And the West Indies (1948-1958)
- BEYOND KIOSK, Modes of multiplication
- Ferdinando Scianna, Geometry + Passion
- Vanity Fair Portraits, Photographs 1913-2008
- Cai Guo-Qiang, I Want to Believe
- Nikolay Polissky, Large Hadron Collider
- Graffiti, Born in the streets
- Picasso Cézanne, Picasso looks at Cézanne
- Milton Glaser, The Modernist
- Philippe Parreno, VOICE-OVER
- NOMADS, Nomadism in Vancouver
- CARLO VALSECCHI, Lumen
- NAVIN RAWANCHAIKUL, SUPER CHINA!
- The Space of Words, Heterogeneous relationships between words and space
- The Jazz Century, I Love Jazz!
- MONA HATOUM, Measures of entanglement
- THE TAG, An Gallizia collection at The Grand Palais
- Andy Warhol, WARHOL TV
- FIFA 2009, The splendour continues!
- Sophie Ristelhueber, Temporal + spatial + Images
- Shilpa Gupta & Mahzarin Banaji, While I Sleep
- Ray Caesar & Kosta Kulundzic, The Outsiders
- William Eggleston, An American in Paris…
- Beatriz Milhazes, Natural forms + rigorous geometry
- Erich Salomon, The King of the Indiscreet, 1928-1938
- DAMIÁN ORTEGA, CHAMP DE VISION
- Valérie Belin, La peau des choses
- Raymond Depardon + Paul Virilio, Native Land - Stop Eject
- Roman Cieslewicz, A man with a strong vision of creativity
- LE FUTURISME À PARIS, UNE AVANT-GARDE EXPLOSIVE
- OCEANIA, Signs of ritual, symbols of authority
- Picasso and the Masters, Pictural dialogue
- Balthasar Klossowski, Balthus - 100th anniversary
- 4 Days in Mongolia, Glimpses of life...
- Jules Kulein, Desire + Graphism + Provocation
- Steven Meisel, Makeover Lightness
- RON MUECK + GUY BEN-NER, REAL LIFE
- H BOX, H as Hermès
- Juan Muñoz, A narrator sculptor
- Thomas Scheibitz, About 90 elements/TOD IM DSCHUNGEL
- Richard Long, A Walking Sculptor
- Geoffrey James, Utopia/Dystopia contrasts ideal society with a world gone awry
- Club of 8, The 2008 Governor General’s Awards in Visual and Media Arts
- Robert Mapplethorpe, Lisa + Milton + Thomas & Ken
- China Power Station, PART III
- César Baldaccini, An Anthology by Jean Nouvel
- Floriane de Lassée, Inside Views
- Monsengwo Kejwamfi Moke, Father of the Popular painting movement in Congo
- Alexander Rodchenko, Revolution in photography
- Richard Avedon, Photographs 1946 - 2004”
- Alec Soth, L'espace entre nous
- The 1930s at The MBAC, The Making of
- Patti Smith, Land 250
- Keith Haring, A Summer with Jean-Michel Basquiat
- Andrea Branzi, Open Enclosures
- Glenn Ligon, I Am A Man
- ¡CUBA!, A voyage through this Island’s Art and History, from 1868 to today
- Michael Craig-Martin, Father of Brit-Art
- Lee Bul, On Every New Shadow
- 20 Creative People for 2008, Who are changing your world - 2008
- Richard Serra, Master of the tectonic nature of sculpture
- Eija-Liisa Ahtila, The House Sculptures
- Gerda Taro, A revolutionary photographer in the Spain’s war
- Ray Caesar, A Toronto, les chats sont gris la nuit…
- De Superman au Chat du Rabbin, From the Shtetl to the devouring metropolis
- Takashi Murakami, The mass-market machine man
- Albert Watson, A provocative testimony
- Daphne Odjig, "Picasso's grandmother" + The Indian transition
- Yin Xin, The western most Chinese painters
- Carlito Dalceggio, Anatomy of the invisible
- Graffiti is art or bullshit ?, A brief history of graffiti movement
- TaTa Sam Bejan, A Tribute to an humanist photographer
- Edward Steichen, Master of Photography
- Pierre and Gilles, Double Je (1976 - 2007)
- Five Nights at the Museum, The union of Art with Architecture
- What the World Eats ?, Have a dinner !
- Le Tour du monde de la Pub, Broken course of the history of advertising
- The Situationist International (1957–1972), An Bauhaus imaginiste
- Kurt Wyss, Photographic Encounters
- Zhu Yunwei, Opened / closed eyes, awoken dream of a photographer
- David Lynch, The Air is on Fire
- FIFA : A quarter-century of pure splendour!, 25th International festival of films on art
- Twenty things you should know about Eva Van Den Bulcke..., Schlof project
- Shomei Tomatsu, Skin of the Nation
- Centre Pompidou, 30 years of world culture!
- 35 New Photographers 2007, Photographers of tomorrow, selected by Getty Images Bank
- Valérie Belin, The anthropometric method: Metamorphosis or transformation?
- The Event,, Images as protagonists of history
- Nacho Lopez, Revelations and Miracles
- A History of Advertising: Photography in France, from Man Ray to Jean-Paul Goude
- Desiree Dolron: Exaltation - Gaze - Xteriors, The mystic photography
- Paris celebrates international photography, Paris Photo celebrates its tenth anniversary with a sparkling selection of Nordic talent
- Lee Friedlander, -
- NRC Scientists Help Solve the Mysteries behind the Mona Lisa, -
- Digimart - Take 1, Global Digital Distribution Summit
- Joel Meyerowitz, Out of the Ordinary, 1970-1980
- J. Shulman, Modernity and the Metropolis, July 2006 / NBM, Washington D.C
- Nicolas Ruel, Inox
- Egodesign.ca has arrived!, www.egodesign.ca’s June 22, 2006 online debut was a resounding success.
- Art Home
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